I should preface this somewhat-less-than-glowing review of Sonic Mania (aka Summer Sonic for people who dance at night) by mentioning one important detail:
I don’t really like music festivals.
More exactly, I don’t like a certain kind of music festivals (that kind). I think I have spent enough of my youth, dancing half-naked on Californian beaches or through Black Rock Desert that I don’t need to defend my record of appreciation for spontaneous music-oriented gatherings. I just still can’t figure the draw with mainstream music festivals: horrible acoustics, quantity-over-quality line-ups and uninspiring settings.
If I wanted to dance in the middle of stadiums, I’d be a football cheerleader.
Acts at major music festivals fall into two categories: bands that were cool 20 years ago (and whose sole surviving member badly needs to pay his taxes) and up-and-coming bands you will hear a 100 times better at a smaller, more targeted venue. The packaging of the two together, along with laundry-detergent levels of sales/marketing based more on PR momentum than musical coherence (complete with nonsensical stage schedules) are what make music festivals such a profitable deal for major industry players and a miserably pointless experience for everybody else.
Sonic Mania certainly followed that pattern. In fact, every other headliner on the line-up could accurately be summed-up as: “That guy you’ve never heard of, with ties to that band you definitely knew [and perhaps liked], back in the 2000s/1990s/1980s”…
Considering how much whining is liable to follow, I should add I had a perfectly OK night, fun even. But my enjoyment of the event was entirely down to being with a cool group of people and, most importantly, being comped and not having paid 10,000 of my hard-earned yens to attend that semi-debacle of a festival night. I feel I kinda owe it to the poor saps that paid out of pocket to let the world know what passes for top-yen-worthy festival in Japan these days…
10pm-ish: Arrival, Primal Scream
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