Thanks to a last minute spare ticket provided by lovely Dame Kozlika, I went yesterday to a production of Lohengrin, at Opéra Bastille (the ugly 80’s monsterchild one of the two). I figured I may as well post a quick personal review – I’m told this is what this whole blog thing is about: empowering the People, all that… So here goes…
The Story
I’ll let you peruse the Wikipedia entry for a complete synopsis, but story goes a bit like:
- Beautiful Damsel in Distress is saved in extremis by Handsome Stranger from Unknown Origin, who washes her honor by pounding on Manipulated Semi-Vilain Consigliere.
- Beautiful Damsel in Distress offers own hand to Handsome Stranger from Unknown Origin, who gladly accepts it with proviso that she shan’t ever ask for his actual name or try to uncover his Unknown Origin.
- Evil Manipulating Witch manipulates.
- Naive Beautiful Damsel in Distress is manipulated.
- Beautiful Damsel in Distress lasts all of 24 hours before asking the forbidden question: Handsome Stranger no longer from Unknown Origin, turns out to be none other than, theretofore unmentioned, opera’s titular character.
- Swan this, swan that, swans are everywhere.
- Handsome Stranger Better Known as Lohengrin leaves, pissed off. Swan becomes a prince. People rejoice, broken love mourns, evil pouts.
- The End.
[rough outline]
Lohengrin was one of the few remaining major Wagnerian works I had not seen. Which must now bring my compounded Wagner experience to a few trillion hours. That is, like every other of his other opera, this one is long, very long. Unlike the Nibelungen tetralogy, though, it isn’t particularly fast-paced.
I must confess to a couple yawns during the first act, while second and third act peaked up a bit, both story-wise and musically.