Spent the afternoon with Sarah in Harajuku, then took her to Roppong Hills, in order to get a glimpse of the city from up-above.
We were not particularly planning on going for the museum, but, as chance would have it, one of the temporary exhibition featured my favorite Japanese artist.
I first got a glimpse at Kusama Yayoi’s obsessive and beautiful patterns in New York, a few years ago and saw more in Tokyo (the Hara-san Museum had a few great pieces). This new exhibition, though quite in the same vein as all her previous work, was definitely an amazing experience.
Unlike a lot of other contemporary artists who, at best, cannot manage to rouse any more than a certain kind of intellectual curiosity toward their art, Kusama Yayoi’s structures are just pure emotions put into shape: they do not require subtitles or lengthy comments to be appreciated, visual stimulation and subconscious imagery are immediate with most of her pieces. And if putting them into the perspective of her complicated life and long history of mental illness certainly brings another dimension, one just need to walk through her arrangements of mirrors, lights and dots in endless patterns to get an idea of what mind vertigo can be, for better or for worse.
So, if you’ve not done it yet, go check out her exhibit at the Mori Art Museum in Roppogi Hills. The other temporary exhibit (People’s Artist) is also very much worth your time…
PS: for those of you not familiar with Tokyo’s skyline, this building that looks like a cross between the Eiffel Tower and a christmas tree is “Tokyo Tower”… and no, to the best of my knowledge, Gustave Eiffel’s estate has not considered suing for copyright infringement yet… though I do suspect the “parody” argument might be protecting the Japanese version.