Nearly two decades ago, good ol’ Lisbeth the 2nd famously declared the year closing an annus horibilis

In fact, 1992 was no particularly bad year unless you were a male heir to the throne of Britain with marital problems or minor royalty with a taste for topless frolicking…

In 1992, the world at large was not doing much worse than usual. Western Europe was entering a decade of economic prosperity, things were starting to look up on the eastern side and the US was taking a breather in between two Bushes. Bloody coups, genocides and paramilitary dictatorship seemed to be ever so slowly becoming less of a common occurrence in South America and Asia, and while Africa was not doing so great, one could at least hope that, with old age, an entire generation of Western-backed dictators would eventually come to pass. Not such a bad era for music either: in 1992, Nirvana had just released Nevermind and Black Eyed Peas had not yet been spawned from the darkest recess of stale junk pop marketing.

It is nigh-impossible for one person to give an objective appraisal for such a scale as the entire world, particularly without the hindsight of a couple decades: the year Sally broke your heart or you lost your pinkie to a freak juice-blending accident will always overshadow that earthquake where 10,000 people died in some remote country you have never heard of.

Yet, I cannot help but feel rather depressed by what seems to be happening in the world these days. And I am not talking about broad general issues and the no-doubt very fucked-up things in store for the future, 40ºC English Winter days included. I am talking about today’s factual state of the world.

Let’s Have a Look, Shall We?

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Following a sharp and steady decline of her health over the past two years, my grandmother finally passed away yesterday.

I briefly mentioned her on this blog, four years ago…

Back then, she was such a spry and quick-witted little lady that it was hard imagining her otherwise. But her years finally caught up with her all at once, with a vengeance. It was obvious when I last saw her that she felt she had her time and was ready to go. Rather than mournful I am relieved knowing she left without too much suffering.

I am basically writing this as a reminder to myself of what an exceptional woman she was and that I should be lucky to ever live a life half as extraordinary as hers was.

To my left: Official University Anniversary International Reception, free food, free drinks.
To my right: Thunderstorm, lightning, pouring rain and… wait for it… hail (yes, it is the 16th of June and it is hailing in Kansai).

Only a dozen kilometers on bike, walk and train between the two.

Today, at a lecture centered on SNPs, the wonderful world of statistical genetics and the myriad holy wars waged amongst its main proponents, the lecturer brought up the work of Karl Pearson (of eponymous correlation coefficient’s fame).

Under all the math formulae, the slide featured a small box with Pearson’s full name, photography, dates and, in an even smaller font, this sole additional comment:

He was a marxist.

Only in Japan.

… I will ensure that any artist who describes their work as “exploring the relationship between art and time/space/etc.” (or some insipid variation thereof) is put to a slow and painful death.

So, after spending a whole five days back in my exciting Kansai countryside, I was on my way to Tokyo again on Friday night, this time to fulfill a very specific (and lovely) calendar imperative.

This 48 hour stint in Tokyo was much more compact than last week’s but we still managed to fit a couple funandhappythings.

Saturday, Ken and Shizu drove us to Design Festa where we spent the afternoon looking for those elusive two or three pearls of awesome/weird/crazy, usually lost in a sea of homemade flea-market t-shirts and Tokyu Hands-style jewelry (hey, starving art students need to eat too). To be honest, nothing mind-blowing (and not even that much of the usual WTF shock stock that people tend to expect from Design Festa)… but some entertaining live shows:
Dora video played drums while random bits of video samples (including at some point, a strident Japanese CM for toilet air freshener) played in the back. The result sounded at times not quite unlike a Death Metal band, from which you’d remove everyone save for the drummer: loud, energetic and quite funny.
Somewhere on the main stage, three butt-naked guys covered in gold paint and sporting massive fully-erect fake penises (also covered in gold) were executing some sort of butoh-like contemporary dance involving a chain and the music from William Tell overture. Somehow, Design Festa always seem to feature a few naked guys doing strange contemporary dances. Never twice the same guys.
The last act we caught before leaving, Crazy Angel Company wasn’t breaking new grounds, comparatively, but did a nice job of livening the venue a bit with their energetic Japanese-style brass band music and accompanying choreography. They closed with their own rendition of the Soran Bushi, a famous Japanese folk classic with an infectious back-and-forth chorus, of which H. eventually grew very tired, after a weekend of constant humming from my part.

On the way back and after running a couple errands for the following day, we lucked out in grabbing a table at Chacha Yufudachi on a saturday night with no reservation (strange, I know, to be going to a Kyoto-cuisine place while on a trip to Tokyo, but both Chacha branches are among my favourite restaurants in Shinjuku, both for the food and the atmosphere). We capped the night with a few drinks at Albatross’ brand new extension in Golden Gai: in fact, merely the first floor of their previous location, which has been added as a semi-independent branch to the second-floor’s bar. Same familiar faces and friendly crowd as usual, although we unfortunately had to make it home for last train in order to be fresh and rested for the next day.

And next day was awesome, indeed: lovely people, gorgeous groom and bride, delicious food, excellent wine (of course) and charming surroundings… But I won’t bore you with the details of my gorgeous friends’ happiness: after all, if you are of those who care, you were probably there (and if you weren’t, you know where to find much better reports than my own very incomplete remembrances of that wonderful day).

One (short) night and a nozomi ride later, I am back at plotting world domination, one DNA strand at a time… Which reminds me I might finally get to that piece about the why’s and how’s of Bioinformatics this week, if I can escape the tempting embrace of procrastination long enough…