When doing any academic work requiring a bit more than casual concentration, my choice for musical background invariably veers toward jazz.
House or techno is great coding music, but just takes too much of my attention off; and the kind of classical I can study to, also tends to get on my nerves quickly whenever the studying doesn’t go as smoothly as it should…
On the other hand, old jazz tracks, first half of the century, New-Orleans, Dixie, later French stuff… they just got the perfect mix of bouncy instrumental and subdued beat that helps keeping you in a working groove without turning your nerves into a knot. My playlist currently rotates lots of old no-names Charleston big-bands and swing tracks, along with everything I got by Stephan Grappelli, Django Reinhardt or Sidney Bechet…
As a high-school student in Paris, my buddy Pierre and I used to hang out quite often with local jazz musicians. Pierre’s younger cousin, despite being barely pubescent, was an incredible jazz piano player. Last in a lineage of music nuts, he had been enrolled very early on in the family affair, a band that had once, in typical jazz fashion, spanned over three generations and was now composed of the son-father duo completed by a couple other professional players. Among them was Daniel Bechet, son of Sidney and all around talented drummer.
Of the numerous episodes of strangely anachronistic fun I remember from these days, one particularly stands out: